New Work: WWD Collections
New Work: Beauty Inc. Redesign
The new issue of Beauty Inc. is out today, completing a redesign trifecta of the Fairchild print products (Footwear News and WWD relaunched earlier this year). The Beauty Inc. update features a new type palette starring Commercial Type's unreleased Chiswick Sans and the Font Bureau's Benton Sans.
New Work: WWD Issue 24
New Work: WWD Issue 20
New Work: WWD Issue 19
Best issue yet.
New Work: WWD Issue 18
New Work: WWD Issue 17
Special M Collections Issue . . .
New Work: WWD Issue 16
New Work: WWD Issue 15
New Work: WWD Issue 14
New Work: WWD Issue 13
Starting to hit our stride as we approach our first Fashion Week season since launching the weekly magazine last spring . . .
WWD Daily Editions (NY and Milan)
Excited to see our second special edition in print this week for New York Men's Fashion Week! Future editions will be published and distributed throughout Fashion Week this fall in NY, London, Milan and Paris. Commercial Type's Dala Prisma is featured in the city labels, and a red 'D' is used in the logo to signify 'Daily'.
WWD: Issue 7
WWD: Issue 6
WWD: Issue 2
A few pages from the second issue of the new weekly WWD . . .
New Work: WWD
I'm honored to have been given the once-in-a-lifetime opportunity to transform Women's Wear Daily — the Bible of the Fashion Industry — into a weekly magazine, now simply referred to as WWD. The first issue is a 248-page brick, cranked out in a week by a stellar design dept consisting of Nick Mrozowski, Geraldson Chua, Robyn Boehler and Jewelyn Butron. The cover story — The WWD Six — was photographed over 6 days and 3 continents by Nigel Parry.
New Work: AwardsLine & Footwear News
Landed in New York earlier this week to find the new issue of Footwear News waiting for me, then returned to L.A. to find the new issue of AwardsLine. It's all a blur at this point . . .
New Work: Footwear News
The first redesigned issue of Footwear News is out today, completing a project that began with the launch of footwearnews.com last month (see earlier post below). The print and digital products are linked visually by a consistent type palette featuring Finch and Benton Sans (Font Bureau/WebType) and a minimal color palette of teal and red.
Presentation Day
Feeling confident!